This is it, I’m putting 2005 to rest. It’s about time. Here’s the last few albums I wanted to mention. Enjoy.
My Morning Jacket - Z
This album is worth it for the opening song alone. The drumming has a bouncy and crisp triplet in every other bar, that sounds funky, loud and grooving. Everyone kept saying that the reason this album was better was because they turned the reverb down. I don’t think that’s true, the reason it’s better is because the songs have more shape, are more lively, and catchier.
The Decemberists - Picaresque
Something about the voice eventually wore me down on this album, but I have listened to it enough to recognize the melodies well enough to enjoy them when I hear it at the coffee shop. Of course, there’s always the bounce to “The Sporting Life” that is endearing, and I can’t ignore how natural and soft Chris Walla makes the drums sound on it. “The Engine Driver” also is one of my favorites on the album; every once in a while Meloy lets go of the annoying references and just lets loose a nice sounding pop song. The acoustic guitar on “On the Bus Mall” is so subtle and reminds me a lot of the sound on Death Cab’s single on the Future Dictionary of America Soundtrack.
Spoon - Gimme Fiction
The sparseness in this album is a little bit deceiving. There’s always something extra going on in a lot of the songs, but the there’s a coolness in it all that gives this album a textured feel - The guitar noise between the verses has a spastic energy that not a lot of people can get away with. In fact, I think Yo La Tengo tries that a lot, but does not necessarily succeed as well as Britt and company. Great, catchy vocals and very, very rock and roll. The album is good through and through, with outstanding songs, beginning (”Beast and Dragon Adored”), middle (”Sister Jack”) and end (”Merchants of Soul”). I really love the slurring vocals, too.
Iron and Wine/Calexico - In the Reins
Just like every other album Sam Beam puts out: impeccable harmonies and outstanding guitar work. Lots of extra sounds here with Calexico, the Southwestern, Latin flavor isn’t overpowering, just gives a slightly different feel. Still quality, but too short.
Architecture in Helsinki - In Case We Die
It’s always a party on this album. I freaking hate the Fiery Furnaces right now, but AiH are super-spectacular and every time I hear this album I think of hanging out on the floor of my apartment before it had furniture with a bunch of friends playing Trivial Pursuit. “It’s 5″ flicks hair to melodrama and seriousness at the same time, and “Maybe You Can Owe Me” is one of my favorite dance tracks of last year. You know what I think of when everyone says that AiH’s eclectic and diverse sound is something that the FF’s do better? I think, fuck the Furnaces, this shit is like The Clash in their heyday.
M. Ward - Transistor Radio
All right, I admit it: I didn’t know “You Still Believe in Me” was a cover of a Beach Boys song until Alison told me. This entire album is remarkable though, perfect for any occassion I’d ever want myself in. I thought at one point someone had used M. Ward in a Fat Tire commercial, the great one where the guy fixes up the 3-speed with moustache bars and cruises around, but that’s actually Devendra Barnhart, which is fine. I still like this album a lot. You can read more about what I say about it over at kevchino.com.
South San Gabriel - The Carlton Chronicles
This is another one of the records that I reviewed for kevchino, and in retrospect, I probably should have given both of these albums higher marks since they lasted so well throughout the year. I talked a lot about the concept of the album and the production in my review, but I still think the execution is the best part of this album. Ask anyone (Al), I don’t usually pay much attention to lyrics, but the concept pretty much made me pay attention to these, and that made it more interesting during the listening.
Benji Cossa - Vault Vol. 1
I don’t even have this album yet, and I haven’t heard but two or three of the songs on it in my lifetime. I really am only putting it up here based on the fact that Benji Cossa is the best whistler I have ever heard and that he has a very, very sweet sounding and effortless vocal delivery. I remember this, primariliy from the time I saw him at the Tullycraft house way back in the day, and he sang the part Jen Softie sings on “Much too Much” from the first Kissing Book album. It’s on its way from Magic Marker, so perhaps I’ll update when I get the chance.